feuille-d-automne:

Belgian artist Louise De Hem (1866-1922) in her house in Brussel (Belgium) in 1905 .
Via

feuille-d-automne:

Belgian artist Louise De Hem (1866-1922) in her house in Brussel (Belgium) in 1905 .

Via

(via lacalaveracatrina)

@1 month ago with 178 notes
thecultofgenius:

Gustav Mahler with his two daughters, 1905.

thecultofgenius:

Gustav Mahler with his two daughters, 1905.

@1 month ago with 43 notes
cinoh:

Leonore Tawney.

cinoh:

Leonore Tawney.

(Source: ermietumblr)

@1 month ago with 204 notes

"During her last year of life, Maya, Teiji (her young third husband), Adolfas, and I saw each other at least once a week. It seems strange, but I do not remember any ‘memorable,’ ‘intellectual’ discussions together. It was all talk about what had to be done for the next event, or else about what we had seen, or our friends, or memories of Europe—and Adolfas and I used to go home all excited and not be able to sleep half the night. And then we would wake up and forget it all and another day would begin…

"Now, looking back in my memory, remembering it all in glimpses, in single frames, I see Maya’s face, always very intense, never making small talk. There was always a very special subtle laugh behind that intensity, which would come out in brief spurts. Those who didn’t see this lighter side usually were a little bit frightened by Maya. The intensity is reflected in all of Maya’s faces, in her films. The exception perhaps is one of her most frequently reproduced images: Maya as a face from Botticelli. Curiously, though, that image was filmed and ‘directed’ by Sasha Hammid, and I think it represents his dream of Maya: he threw her back to the Renaissance. All the other faces of Maya are rich with the reverberations of twentieth-century modern art." — Jonas Mekas on Maya Deren

(Source: strangewood, via mudwerks)

@2 months ago with 432 notes
laukitsch:

anticipatedstranger:

Eileen Myles
@3 months ago with 17 notes

Frida fumando un tabaco

Frida fumando un tabaco

(Source: neomexicanismos, via nothing-but-vices)

@1 month ago with 151 notes
somisareg-sanatalp:

Edgar Varese and Antonin Artaud (1933)

somisareg-sanatalp:

Edgar Varese and Antonin Artaud (1933)

(via eclektic)

@1 month ago with 25 notes
chaboneobaiarroyoallende:

“Quotations are useful in periods of ignorance or obscurantist beliefs.” 
Guy Debord

chaboneobaiarroyoallende:

“Quotations are useful in periods of ignorance or obscurantist beliefs.” 

Guy Debord

(via edlorado)

@2 months ago with 76 notes
blushingcheekymonkey:

ettore sottsass

blushingcheekymonkey:

ettore sottsass

(Source: deargenekelly, via studionothing)

@2 months ago with 26 notes
de-salva:

Tadeusz Kantor, director of the play “The Dead Class” (Krakow, Poland)

de-salva:

Tadeusz Kantor, director of the play “The Dead Class” (Krakow, Poland)

@3 months ago with 11 notes